Lee Kline and Ryan Hullings met in 2006 when Lee placed an ad for a guitar player to form a “space rock band.” Shortly after that, Ryan joined Lee at The Criterion Collection in NYC and became the manager of the audio department there. Working with a group of talented and world class Criterion technicians, Lee continued as technical director and to this day they oversee the picture and sound of every Criterion release.

It became apparent that there were many people like Lee and Ryan working behind the scenes (in dark rooms on a monitor with headphones and speakers) with stories that no one was getting to hear. They decided to change all that with The Dead Pixel Podcast. We’re working with some great technicians and producers, including audio editing from sound editors Michael Wiese and Jabari Williams, and assistance from our friends Susan Arosteguy and Keith Gonzales, so that these stories from the dark now can see the light.

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Lee Kline, works and podcasts from New York City. He has remastered hundreds of films for The Criterion Collection and is an occasional musician who still dreams of playing Madison Square Garden.

Contact Lee for more info.

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Ryan Hullings is an audio engineer specializing in film restoration and catching trout. He will forever love the guitar.

Contact Ryan for more info.

 

Jabari Williams is an audio engineer and producer who graduated from SUNY Oswego with a degree in audio recording and production. He has experience in both music, video and podcast work as well as live music.

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Michael W. Wiese currently explores the sonic arts and sciences from his studio in Northern New Mexico. He’s worked at the Criterion Collection since 1995. Michael makes the podcasts that you listen to sound amazing (and to make sure we didn’t say anything we might regret.) One day he’s going to be a guest with us and talk about meeting Hunter S Thompson.

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Since 1994, Susan Arosteguy has lived and worked in New York City and is originally from Colorado. She is the final approval on The Dead Pixel Podcast in true Criterion producer style. If she could go back in time, she would have dinner with Sam Fuller.